Berrington Hall
National Trust
Stays: SNO .1293
(All photos courtesy of Berrington Hall and we are most grateful to them!)
Details:
- 2nd half of 18th c.
- Fawn Linen with missing lining.
- In Nancy Bradfield's Book 'Costume in Detail' p.44
- 11 x Eyelets
- 8 x Panels
- Leather binding and under-arm piece.
- 2nd half of 18th c.
- Fawn Linen with missing lining.
- In Nancy Bradfield's Book 'Costume in Detail' p.44
- 11 x Eyelets
- 8 x Panels
- Leather binding and under-arm piece.
My Notes from the study session, although scribbled and probably not very readable for anyone else are, to me, just as important as the photos. It's in these pages that I get to write down details and notes to go alongside the photos that a) help me to spot what details to look for in the photos but also b) things that can't really be photographed. For example, this particular pair of Stays, although fully boned and containing many aspects of earlier techniques and therefore could be assumed to feel the same as those earlier specimens, actually has a lightness about it - as if the fabric and supporting fabrics are thinner or the bones are cut that bit more slender. it's hard to know for sure but they definitely feel finer and not so bulky as other examples we've handled. It's for this reason that I've included my notes here.
My Notes:
- Boning channels tend to be 7mm wide.
- Measurement of curved section at top hem is 14". another 1 3/4" down it is 12 1/2".
- Bust seems to measure 31"
- Waist about 27" wide and seems at a fairly higher height than earlier Stays.
- As seen in the photos there is a central stiffened canvas piece at the waist. Either with age or with some sort of stiffener, the canvas has become very thick and sturdy and set in it's shape. Length of inner support canvas = 10 1/2" and about 7" wide (it's hard to measure on such a curved panel!)
- Last 2 button holes are just mere holes and possibly later additions. Most of the Stays we've seen don't tend to lace up all the way to the bottom and the other eyelets though visibly used, still have their thread attached.
- Boning channels tend to be 7mm wide.
- Measurement of curved section at top hem is 14". another 1 3/4" down it is 12 1/2".
- Bust seems to measure 31"
- Waist about 27" wide and seems at a fairly higher height than earlier Stays.
- As seen in the photos there is a central stiffened canvas piece at the waist. Either with age or with some sort of stiffener, the canvas has become very thick and sturdy and set in it's shape. Length of inner support canvas = 10 1/2" and about 7" wide (it's hard to measure on such a curved panel!)
- Last 2 button holes are just mere holes and possibly later additions. Most of the Stays we've seen don't tend to lace up all the way to the bottom and the other eyelets though visibly used, still have their thread attached.
Other Details include, the angle of the CF boning - coming at an angle into the CF seam. Grainline for CF panel matches CF straight line. Grainline for Side Front panel is also straight, as if the panel had been laid out on the fabric with the tabs sitting on a right angle to the selvedge. Side back panel is different. You will clearly be able to see this in the photos and we will point it out later.
Standard construction techniques show that the panels have been made up and boned first and then the seam allowance has been lashed back and the edges butted up together and stitched. The thread used in this looks almost like string it's so thick and coarse but probably incredibly strong. Inside backing to boning is, as in other Stays viewed, a pale beige slubbed linen canvas. You can see this here in this next image.
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